Showing posts with label Naani. Show all posts
Showing posts with label Naani. Show all posts

December 15, 2012

"Yeto Vellipoyindi Manasu" (Telugu/ “Neethane Enn Ponvasantham”(Tamil) Movie Review

“Yeto Vellipoyindi Manasu” (Telugu) or “Neethane Enn Ponvasantham”(Tamil) is Gautam Vasudev Menon’s latest film whose audio was released many months before the release date. Reason: Maestro Ilaya Raja composed music for the film. Maestro Ilaya Raja had done exceedingly well in the songs which are already chart-toppers. Atleast four out of the seven songs are haunting, hummable and lullaby-melodious. Music-wise, Ilaya Raja has done his part in giving amazing songs for the season, but director Gautam Menon hasn’t capitalized well on the genius of the Maestro. This is because the BGM is hardly perceived in the film – about 65 per cent of the movie is on silent track showing either dialogues between the hero and heroine, hero and his family, hero and his friend – and there is lack of cinematic twists or oscillation of emotions to let music drive the rest. That is why, for fans of Ilaya Raja, the film is a disappointment- sans the songs – which are already a “hit”. As a composer, Ilaya Raja has had an outstanding record in giving memorable BGMs and RR with directors like Mani Ratnam, Ram Gopal Varma, Bapu, K Balachandar, Suresh Krissna, Vishwanath, BharatiRaja, Balu Mahendra, Singeetham Srinivasa Rao, Vamshi and others. It is clearly director’s fault in failing to utilize such a talent that comes rarer than a Halley’s comet. Something has gone wrong with the soundtrack, in short.




What’s the movie all about? Naani and Samantha play Varun and Nithya - two mador-each-other kids who grow up in the same school, go to the same college and have the hots for each other despite huge strata differences, so different that Nithya vacations in Australia whereas Varun goes for Annavaram. And the story continues with time lapses at different periods with many cold wars and hot patchups, without any variety. Varun wakes up one day to be career-conscious while driving some sense in Nithya too that she needs to find a purpose in life beyond him. He writes CAT exams, gets into IIM Kozhikode (where else, Kerala!) and makes his career count – and then revisits his first love – who has found a new calling. She is helping out victims of Tsunami creating a new household. Varun and Nithya overcome their egos and regain each other’s love with a happy ending. Samantha is gorgeous and cute, sometimes tries to look erotic and sensual at the same time. But her style of acting will run out of steam soon if she continues with her ibby-jibbies - girly giggles, self-conscious eye gazes and half-smiles. She is also getting into a rare trap of letting her voice-over Chinmayi dictate her body language – that will make her trapped in an alien voice without giving vent to her talent. In the golden days, you had voices like Saritha, Shilpa and Roja Ramani heighten the characters with their voices dubbed for femme fatales. But Chinmayi is a good singer but comes out dramatically different in voice over – and Samantha is an easy bait for her; here, Samantha dances to the husky and superficial voice of Chinmayi on screen. Naani is a great actor and has put in the right sincerity required for a role of this kind. He is never loud, always apt and remarkably cool.



The lighter moments in the film come when Krishnudu and Samantha’s friends appear on screen. But the movie is mostly a drag and lousy to watch. It is tediously long at 151 minutes, monologous at most times, and inspid when dialogues appear. Gautam Menon couldn’t prevent the shadow of “Yee maaya Chesaave” on the film at most places – the film is again a quasi-documentary of love from K-12 days to Career days, mostly shows dialogues between the boy and girl in the form of conflicts in ego, perceptions and attitudes, and again shows a happy ending. Unless there are more episodes of variety to project on screen from Gautam’s personal experiences, Gautam should put paid to these twilight sagas of love and return to action films or police investigation stories, which are his forte. The movie could have done better with editing, and screenplay deftness. Some of the scenes are abrupt and don't  connect with the previous ones.Lastly, he should get over the leanings of documentary film-makers; every scene comes with a subtitle: Nithya and Varun in school, Nithya and Varun at age 24 and so on. The audiences are too smarter to decipher these - if you want to show an annotated photo and video album from your personal life, show it on youtube and get more clicks but why does he have to inflict them on the audiences? On the whole, a boring and disappointing film from Mr Menon. I would rate it 1.5 on 5.

July 7, 2012

"Eega" (Housefly) Movie Review (Telugu)/"Makkhi" Movie Review

"Eega" means housefly in Telugu. Thats the name of SS Rajamouli's latest and most-ambitious film till date. Its the most common and harmless insect heavily spotted even in concrete jungles and unlike mosquitoes and other blood-sucking pests, it is not carnivorous and usually doesn't harm humans - it is a very fidgety creature and moves at lightning speed, hardly stays anchored at a place beyond few seconds. To make a movie on a housefly is itself audacious and insane, nobody has done it ever in Indian Films. In the west, there have been many superhero films and maybe movies on rats, monkeys, sharks, bears and deadly snakes, but not on an insect so insignificant as a housefly - its amongst the lowliest of the lot but has a picturesque body - an amber red head, two hairline whiskers, two mini hands used to navigate direction, two wings that seem to generate sound an equivalent of a helicopter taking off when in motoring mode, and an identifiable body and legs. It has the most athletic body in insect world and director Rajamouli has studied the world of houseflies to the core, except a few lapses which I will come to later. "Eega" is definitely worth a watch once for the fabulous effort to make a superhero out of an urban pest - the director has spared no effort to finetune the movie - in Special Effects, technical departments of art and cinematography, in performances by the lead starcast in which Kannada actor Sudeep excels himself, and in overall pace of the film.




Rajamouli generally lets the story line out in the pre-release buzz. So the story is well-known before: Boy (Naani) meets girl (Samantha). Both fall in love. Enter Villain (Sudeep) who lusts after the girl, kills the boy. Boy gets reborn as "Eega" and takes revenge. Quite a simple and ordinary story, isn't it? But the execution is grander and the classic three-act structure, which Rajamouli always followed, is present here too. The movie is actually a special effects movie and the effects have a running time of more than 100 minutes - that can sometimes tire the viewer. Most of the action sequences are between the "Eega" and the villain; the director applies good logicality to how a harmless housefly can wreak havoc and throw your world upside down if you mess with its lover - it will attack you at the most unexpected places when you are least prepared, like in a steam bath tub when your face protrudes out of the heat tub and all your limbs are dissembled to atttack the insect crawling on your face. Rajamouli creates more scenes like this - when the villain is driving at high-speed, making a board presentation, trying to woo Samantha, or just sleeping. "Eega" just buzzes around, pricks the sense organs and drives out the peace out of Sudeep's mind. Quite wonderfully captured these stunts with amazing detail and Hollywood-style craft. The director uses the well-known laws of physics and some aspects of biology and chemistry in the friction shown between the two characters - Eega and Sudeep.

Most of the movie, MM Keeravani (MM Kreem as known in Bollywood) has given an outstanding BGM score that heightens the impact of the SFX and the moods. Quite rarely, Keeravani stops himself, seldom seen in our movies, to let the foreground become background - meaning, the score becomes silent when the heroine Samantha tries to communicate with the hero-housefly or when the housefly is plotting the next move against Sudeep. Those moments of silence, and the early part of the movie which builds up the romance between Naani and Samantha are the cutest reels of the film. Very few lapses on the part of Rajamouli - his clarity of thought and execution, screenplay (with extended help), characterisation and pacing of the film are terrific. Where he fails is in the entertainment this time - he cuts the romantic part of the film, which he could have shown more with the "Eega" or Naani in relapse which could have endeared the masses. He cuts the most beautiful, melodious song of the movie (probably, the decade) - "Nene Naanine..." to less than two minutes, and allows just two other songs to flourish. He hasn't inputed any comedy track in the film, that can prove costly to its success. A Telugu film without comedy struggles to get repeat audiences. When you spend Rs.43 crores on eye-popping graphics, you should have atleast 15 minutes of comedy. Another drawback in the basic plot: the villain kills the hero first, but the re-incarnated hero with all his killer antics creates fear in the villain's mind but fails to kindle any sense of remorse or regret. Besides, the heroine, after knowing her lover has come back as the housefly, enjoys the company of the housefly. How does a woman co-habit with a housefly? To pun, how does a housewife co-habit with a housefly? Thats absurd.

Well, enough of hyperventilative analysis of a movie that is breathtaking in effects but falls short on practicality and comedy, excels in performances by Sudeep and Samantha. It is most definitely watchable once, and by all kids. Its a proud addition to the creative power of Tollywood. An experiment that earned its spurs for Rajamouli.

December 5, 2011

Pilla Zamindar

"Pilla Zamindar" is a short and breezy comedy with lively performances by an ensemble of stage artistes who never get their share of limelight in films. Director Ashok and Producer GS Rao have created a fun-filled tale of how a Richie-Rich Naani who takes money for granted gets to earn his spurs and grow as a mature human being who learns that what drives happiness is not money but other things i...n life - love, friendship, self-growth, personal victory and service-mindedness before the world can recognise you. Earlier, he loves things and uses people but towards the end he loves people and uses things - and in this real "graduation" process, the Director has shown enormous talent and command over the script, story-telling and entertainment aspects with oodles of right-balanced emotions. No foreign locations, no exotic sets, no thorough-fare fights that exhaust you. In just 130 minutes, you get a lung-expanding excursion into the village atmosphere and get to see folks who make merry in their rustic walks of life with greater ease than urban folks who smart under the metrosexual madness. Except for a bit of crassiness and maybe one vulgar song, the movie is a victory for what a combination of raw talent, good performances, tight scripting, flair for outstanding humour and spirited execution can achieve. Naani, Rao Ramesh, MS Narayana and the gang who hang out with the hero all deserve applause. There is an unconventional speed and exuberance in the screenplay that gets you hooked even though you know whats coming. Once in a while, we commit a statistical error of watching a good movie wee bit late. Like that, we saw "Ala Modalaindi" and "Golimaar". Its now the turn of "Pilla Zamindar" which is already into 50days run. The experience was thoroughly enjoyable and leaves you light-hearted inspite of the subtle messages beamed out. Saptagiri 70mm where we saw is as robust in viewing experience as a multiplex - and that was just one of the other pleasant surprises - music and photography were equally good. Movie-makers should make this movie a case-study on making low-budget movies that can become paisa-vasools.

July 20, 2010

"Bheemili" Movie Review: Telugu


Bheemili is a surprise winner in a season of lackadaisical movies and pretentious multi-starrers and costly failures. Tatineni Satya, son of yesteryears' seasoned director - Tatineni Prasad - picks a fantastic script that's tasted success in Tamil Nadu - 'Vennila Kabadi Kulu' and makes a clean and thoroughly entertaining film that's sure to go down with masses and classes.


The story: Naani and a gang of six hang out in trivial time-pass in playing Kabaddi in Bheemili. However, Naani's enthusiasm lets him just be caretaker to the team's changeover clothes as they step into Kabaddi attire. They become more enthusiastic as they see a full-level professionalization at a village Jatara. They get beaten whole and square, but the experience leaves the gang craving for more Kabaddi and more learning. In the same Jatara, Naani loses his heart out to a non-local beauty Saranya Mohan. She doesn't tell her name, but only reveals she is studying in a college in Rajahmundry. Nani meanwhile earns a place of trust that he can play like a trump card and eggs the remaining team on to aspire for competition at state-level in Rajahmundry. This becomes the turning point for the film and brings them in contact with a coach (Kishore) who mentors them to achieve unreasonable success in a short time. The team plays on to win but the movie has a twist in the end…

The movie dazzles in all departments – story, screenplay, music by Selvaganesh, cinematography. The chemistry between all artistes comes alive and unlike earlier films in Tollywood, Kabaddi, indeed becomes the main backdrop of the film on which the entire story revolves. It does get intense by the reel and builds the tempo up to burst into a crescendo in the end. Naani and Saranya Mohan sizzle while the coach Kishore steals a powerful performance that is sure to win him laurels and more roles. What's amazing is the way Tatineni Satya brings a fresh air of nativity, novelty and oodles of entertainment and comedy from ordinary starcast. The punchlines and the number of guffaws the village starcast draws out is sure to give a run for the money for all those iconic comedy actors who charge Biryani and a bomb. The movie is sure to be a draw in all B and C centres and is still going to have the emotional connect with classes. An immensely watchable movie

"Jailor" (Telugu/Tamil) Movie Review: Electrifying!

        "Jailer" is an electrifying entertainer in commercial format by Nelson who always builds a complex web of crime and police...