Showing posts with label Telugu movies. Show all posts
Showing posts with label Telugu movies. Show all posts

May 1, 2020

Covid Lessons From "Sankarabharanam" Movie

 
Just watched "Sankarabharanam" for the umpteenth time on Gemini TV (A week's fest of K Viswanath's films starts today every day). An eternal classic, the film always gives you a message for every season. This time, as my parents, my wife and I were in a trance watching each scene with rapt attention, I noticed a message for the Covid times in "Sankarabharanam". In the pre-climax, as an impoverished Sankara Sastry (JV Somayajulu) walks past the house of his once-upon-a-time percussionist Gopalam (Sakshi Ranga Rao), the former notices the latter trying to tune his Mridangam. Sankara Sastry mildly remarks to Gopalam that his Mridangam is missing a beat. Gopalam then bares out his heart that he has long missed the beat when he deserted the Great Sankara Sastry when he walked out of his "kacheri" in a hasty move - only to regret for the last 12 years. Sastry then consoles Gopalam that it is not Gopalam's fault nor his flaw but the times are such that the crowds can't hear great Indian Classical music. But times won't be so desolate for long, and very soon, good times will roll on and the public will usher in a golden era of good melodious music. Sastry had undying optimism more than the despondent Gopalam about the bad times that will soon be enveloped by sunshine days. And he also gives part of his borrowed surplus to Gopalam to tide over the tough times, even if he himself is struggling to have two square meals a day. Thats the spirit of Optimism and large-heartedness which is needed for Covid times. Be generous in giving to those who are less fortunate than you and never doubt whether good times will come back. 
 
And in the climax, Madhava Rao (Allu Ramalingayya) re-introduces to the audience who have come to hear Sankara Sastry's public recital for the first time in 12 years (which ironically turns out to be his last hurrah). And he says, even in stark poverty and darkest times, Sastry continued to practice his classical music as a maestro will and didn't mind the absence of audience. Instead, Madhava Rao adds, Sastry actually confined himself to the four walls of his house and made all the unseen parasites and viruses and invisible insects and pests his target audience for rehearsing and practicing his performance. Well, that's how Maestros and professionals adapt to tough times. Like the four seasons, the Covid times will be gone before you realize but we must do what we are good at, and take the tidal wave of Covid Scarcity and negativity with a pinch of salt and overcome with optimism. It will then arm us for a better tomorrow - which is just round the corner. Even after forty years, "Sankarabharanam" has a message to be hopeful, optimistic about the future and never waste a good crisis brooding with inaction. Make it count - in ways you become stronger, better and brighter.
 

May 1, 2010

"Simha" Movie Review

Simha could be Balakrishna's first hit in seven years and may unleash a frenzyof sorts amongst his fans. But the  plot is not new, and in sticking to the story of hero-his-heroic father (you get the idea), director Boyapati Seenu lets loose fifth-degree violence and relishes, and even justifies it - Sumos blasting mid-air, trains smashing humans, and axes dripping  in blood. No wonder Sumos are hardly seen on roads and railways cross their line but the axe-effect continues to plague Tollywood. Thats because fans don't insist on heads (of such heroes) to roll. Celebrate, if you are a Balayya fan. Otherwise, you haven't lost anything, if you decide to skip it. But Balakrishna emotes well especially the Senior's role and he has a mouthful of dialogues which is music to fans'  ears . Nayanatara, Sneha and Namitha  add glamour and oomph.

April 30, 2010

"Prasthaanam" Movie Review


Prasthaanam starring Sarvanand, Saikumar and Sandeep is impressive political drama by director Deva (Vennela ifame) and takes lot of potshots at contemporary political happenings through the intrigues within one political family. It is well shot and carries your interest largely with some wonderful satire in the first half courtesy Jayaprakash Reddy and Jeeva. But the ending is predictable and violence stark and dark. Censor cuts mar forty per cent of dialogues yet enough punches are pulled off. If Star Power was higher, the movie would have sizzled at the BO. Yet, newcomer Sandeep and Saikumar  and Sarvanand perform with aplomb and ease. Music by Mahesh Shankar is loud and its a pity one of the only melody songs is edited out to make the movie more serious in the second half.

March 10, 2010

IPL Vs. Films in Tollywood


If you can't beat' em, join them! An old adage seems to drive a change that seemed impossible before - multiplexes screening ultra-limited-overs cricket. But for Varudu and a few other non-descript movies, Tollywood is bracing for an over-crowded summer while leaving the next few weeks over for IPL - 3 cricket. This means more trouble for Tollywood movies which are reeling under hopeless losses despite heightened creativity. Last year, out of 121 or so movies made, less than a dozen are acclaimed hits. The entire film industry seems to grope around at crawling pace - no multi-starrers, herd-like mentality in coming up with themes (One Ready movie will lead to ten Namo Venkatesa's), burgeoning budgets, astronomical film footage exposed before screening, inability to diversify and build studio films (like Navatha Arts, Bhargav Art productions, Vijaya Productions), and whimsical heroes (Mahesh Babu), heroines (Charmi?) and comedians who quote a third of the movie's budgets besides general all-round apathy for small film producers. Tollywood is at an inflection point (which we will discuss later) and the IPL season is just an excuse for Tollywood to mull over where its going.

March 3, 2010

Paid Reviews?

There's lot of buzz in some websites and blogs that Tollywood producers pay cash to websites for giving favorable reviews in order to promote their films. A three-star or a four-star rating will make a world of difference - this is similar to the stock market operations. In stock market, operators identify some stocks with potential which can be buzzed up to new highs, later on cashing on the higher price levels to start offloading the stakes to realise huge profits. This is fine as long as the fundamentals support stock prices, or else, all hell breaks loose. Ditto, for movies which buzz. If there's no content, no movie can outrun the buzz. A four-star rating on a popular website can sustain only if the movie has some stuff and content. Its a close call for a blogger or a web journalist or a reviewer to choose between instant riches vs. credible success. Sooner or later, you will be found out -whichever way you are leaning towards or against.

March 2, 2010

Good website for Bollywood? What about Tollywood?

Is there a website you can zero in on all the block-busters right from Sholay to Maine Pyar Kiya, from Ghajini to Guide, from 3 Idiots to DDLJ? Go to http://www.boxofficeindia.com/ for a low-down on all block-busters. They may not be inflation-adjusted, but they give a way out of the maze of figures thrown in by media reports - whether MNIK (My Name is Khan) is Rs.150 crs. or 64 crs. Its a good site to compare apples vs. oranges and oranges vs. mangoes. But dismally, there's no credible website which tracks down the prolific Tollywood and its numerous releases - speculation and hearsay dominate Tollywood more than reality check. Its grown appreciably in the last many years but now comes an inflection point for more transparency so that we grow bigger and brighter. Any suggestions? One guy who I admire is Allu Sirish (brother of Allu Arjun). His take on Tollywood is different and enjoins the important thread between creativity and commercial viability. Check his views at : http://www.allusirish.in/

January 16, 2010

"2012" movie review



"2012" by Rolland Emerelt is Hollywood's ultimate blockbuster on a near-distant apocalypse with special fx the world has not seen - on a magnificent scale. The surprise packet is captivating human drama that subtly plays out current obsessions - G8, world-is-not-flat, BRIC nations and beyond. Movie starts in India (Vijayawada) and crackles in eye-popping visuals with superb story-telling for 165 mins. Must-see.
16.11.2009

"Aarya 2" Movie Review



"Aarya 2" had an opportunity to become the first sequel in Telugu to sustain the sizzle of "Arya". But over-kill of reverse-gear antics of Allu Arjun in the name of variety, style and twists make movie plot tedious, unconvincing, jarring and illogical. Only bits and pieces post-interval pull it off besides hero's masterly dancing.
28.11.2009

"Jailor" (Telugu/Tamil) Movie Review: Electrifying!

        "Jailer" is an electrifying entertainer in commercial format by Nelson who always builds a complex web of crime and police...