August 16, 2010

"Robot" Audio Review: Hindi/Tamil/Telugu


Superstar Rajnikanth and Amitabh Bacchan come together after three years to launch  the audio of the most awaited movie by Rajni fans- "Robot". Music maestro AR Rahman creates music in sync with the theme of Shankar's technofantasy. Unlike his scores which take time to sink in, this one has catchy technobeat tunes, lyrics soaked in wired-garble - words like "neutron", "Newton's Laws", "electron", "photon", "Genes" and so on. It is fast, robotic, trance music-like and remind you of man-machine beats and Robert Miles, that kind of thing. Seven songsin all, probably set to meta-breaking dances in terrabyte sets. Sure to catch up with youngsters but expect no vintage Rahman.

"Don Seenu" Movie Review: Tollywood

 

"Don Seenu" puts the ageing but antics-rich Ravi Teja in a stylised role of an improbable Don  with enough referrences to A mitabh Bacchan. It is entertaining no doubt and adds the glamour touch with Shriya, comedy with Brahmandam and Venu but the story is bunkum - and your head aches after an hour with predictable nonsense. The movie is longer by atleast two reels but what more to expect in a formulaic film for a hero who is good entertainer but dragging his feet on precarious scripts. Music by Mani Sharma is average. The content in the movie is so flippant it will not even be  remembered after three months. The trend is not encouraging...

"Maryada Ramanna" Movie Review: Tollywood

"Maryaada Raamanna" is only half paisa vasool for fans of SS Rajamouli - there's a thread of a story, few good songs,some unusual camera angles for a non-regular hero Sunil who can dance well and emote. But he is so uptight,  he forgot to laugh and make us laugh too. The hype runs dry in the last three reels without substance and a weak climax. It is good in  parts, but not enough to break star records.Good news is he didn't stretch the movie - 128 minutes. Good for Sunil to show to his grand-children but not good enough for Rajamouli who deserves a break from success.

July 20, 2010

"Inception" Movie Review: Hollywood

Its one of the mind-trip movies that make you work hard as a viewer from the director of “The Dark Knight” and “Memento” (Remember “Ghajini”?). Dicaprio is an extractor, a mind-thief who steals your darkest secrets while you are asleep.Ken Watnabe is a businessman who hires Dicaprio to invade the subconscious of a competitor (Cillian Murphy) and implant an idea that breaks up his business empire. In return, Dicaprio will get his name cleared in a crime he didn’t commit but which separates his wife from his family…

Nolan’s story-telling ability is flawless with unmatched visuals, ideas and execution that mark out the director who gave Hollywood’s best thinking movies. There is little relief in the movie in the IMAX version as Dicaprio sets out the plot to plunder someone’s inner mind with layers of consciousness, dreams within dreams and subconscious subterfuge. There are some dazzling visuals – like the city of Paris folding on top of itself, buildings imploding together, hero’s right-hand man floating through the hotel corridor. If you want to see a Hollywood original before it gets dumbed-down in some Indian remix, catch “Inception” but don’t expect fun.

"The Sorcerer's Apprentice" Movie Review: Hollywood

Disney Pictures tries to comeback with a good movie " The Sorcerer's Apprentice" - the movie combines magic, teenage romance and Nicholas Cage in the backdrop of another original story. The Sorcerer is Nicholas Cage and the Apprentice is Jay Baruchel - they inspire each other to save the world from another set of evil sorcerers who conjure up plasma balls and send down lightning bolts like pinballs from air. Set in spectacular sfx, the movie will make the kids rant and rave and almost rekindles old flames for grown-ups. The movie could have been brighter if Jay Baruchel had a more interesting characterisation. Nicholas Cage sparkles as usual.

"The Last Airbender" Movie Review: Hollywood


Based on the popular Airbender series on Nickeledeon, The Last Airbender is a bid to monetize the franchise value of the same series on big screen. The story goes that the Fire-Station is all set to conquer different worlds who master the other elements like water, earth and air. The only one to stop the onslaught of the Fire-Station is the Avatar – The Last Airbender who combines the hairbending antics that display mastery of all elements. Only, he needs help from water-benders… The ending is dramatic and quick.

M.Night Shyamalan who is keen to disturb our sleep with paranormal activities takes a bow with keen eye for story-telling and some tempestuous special effects that sparkle on both 2D and 3D screens. He breathes lot of fire and action into a simple story-line and gives it a touch of class and pace as per his screenplay . Movie is worth watching but the only disappointment is there are no twists in the tail.

"Bheemili" Movie Review: Telugu


Bheemili is a surprise winner in a season of lackadaisical movies and pretentious multi-starrers and costly failures. Tatineni Satya, son of yesteryears' seasoned director - Tatineni Prasad - picks a fantastic script that's tasted success in Tamil Nadu - 'Vennila Kabadi Kulu' and makes a clean and thoroughly entertaining film that's sure to go down with masses and classes.


The story: Naani and a gang of six hang out in trivial time-pass in playing Kabaddi in Bheemili. However, Naani's enthusiasm lets him just be caretaker to the team's changeover clothes as they step into Kabaddi attire. They become more enthusiastic as they see a full-level professionalization at a village Jatara. They get beaten whole and square, but the experience leaves the gang craving for more Kabaddi and more learning. In the same Jatara, Naani loses his heart out to a non-local beauty Saranya Mohan. She doesn't tell her name, but only reveals she is studying in a college in Rajahmundry. Nani meanwhile earns a place of trust that he can play like a trump card and eggs the remaining team on to aspire for competition at state-level in Rajahmundry. This becomes the turning point for the film and brings them in contact with a coach (Kishore) who mentors them to achieve unreasonable success in a short time. The team plays on to win but the movie has a twist in the end…

The movie dazzles in all departments – story, screenplay, music by Selvaganesh, cinematography. The chemistry between all artistes comes alive and unlike earlier films in Tollywood, Kabaddi, indeed becomes the main backdrop of the film on which the entire story revolves. It does get intense by the reel and builds the tempo up to burst into a crescendo in the end. Naani and Saranya Mohan sizzle while the coach Kishore steals a powerful performance that is sure to win him laurels and more roles. What's amazing is the way Tatineni Satya brings a fresh air of nativity, novelty and oodles of entertainment and comedy from ordinary starcast. The punchlines and the number of guffaws the village starcast draws out is sure to give a run for the money for all those iconic comedy actors who charge Biryani and a bomb. The movie is sure to be a draw in all B and C centres and is still going to have the emotional connect with classes. An immensely watchable movie

"Shubhapradam" Movie Review: Telugu

"Shubhapradam" may not yet be the swan-song of K Vishwanath, but it is below-par. Too many good songs are wasted around a cliched story and the incessant noise the director makes about culture and tradition. He makes more points about ragging, integrity, responsibility, thrift and what not than what's possible -creates a ruckus of a script that consumes 14000 feet  - takes implausible liberties and makes unconvincing viewing. Naresh and Manjari Phadnis are the only saving grace besides Mani Sharma's enchanting music. If only Naresh's characterisation is longer and more defined, the movie could have got enlivened better. The movie appeals to the ageing society and doesn't connect with today's audience.

July 7, 2010

"Added Value" by Peter Church Book Review

In the age of diminishing attention spans, Peter Church pens a delectable book on thirty of India's modern capitalist entrepreneurs with a social bias. I have attended the book launch in Mumbai recently where some of the subjects covered in the book turned up to share their versions of what was the tipping point in their careers, what are their current concerns and what do they see next for themselves. Peter Church, being a head of one of the leading legal firms, does a Boswell by listing his observations and piquant remarks in an anecdotal way- not judging the entrepreneurs as they unfold their dreamy past but making them up in a story-telling fashion such that the story ends with all the crisp details and gives us the big picture, almost ending at the juncture at which they were about to soar. Brilliant read and gives enough titbits that add salt to any conversation about India's new crop of Billion Dollar entrepreneurs. You will know more than a thing or two about each of the icons covered in this business.

"Jhummandi Naadam" Movie Review


"Jhummandi Naadam" is a wasted exercise by K Raghavendra Rao to showcase his old skills at pumping thee prime looks of heroines. In this movie also, he makes the heroine look like a horticulture farm. The movie lacks all elements of drama, story, screenplay. Even the songs are dawdy duets and don't seem to have the magic that K R is renowned for. Movie can be given a miss. Manchu Manoj is looking good but Keeravani's music sounds repetitive unlike his "Vedam"outpput.

June 23, 2010

"Villain" Movie Review or "Raavanan" Movie Review


"Raavanan" or "Villain" movie tries to break new ground in showing villain as hero and hero as villain. It assembles an ace team who are at Mani "Sir"s beck and call - AR Rehman, Santosh Sivan and a starcast that's contracted to give super-profits even if they show up once. `Ramayana' comes alive in this movie and throws up some dazzling moments - but Mani is losing touch with evocative themes and entertainment in the pursuit of cinematic excellence and artistry.  No wonder they are not firing at BO. Vikram shows more versatility than Aiswarya.

June 13, 2010

"The Karate Kid" Movie Review



"The Karate Kid" is a charmingly good movie which shows China in a sweet spot as they are in - set in Beijing  with Kungfu and rich culture as backdrop, not GDP-hungry Shanghai. Jackie Chan returns in the remake of the movie with the same title made in 1984. He excels as the Kungfu Master and shows his subtle side with impeccable grace, while child superstar Jaden Smith proves his mettle again and takes his acting talent to new highs with range of emotions. Its an evergreen inspiring plot of growing up years and will be the perfect film to kickstart the academic year for kids. The movie has some breathtaking imagery from China's picturesque locations including The Wall and Wu Dong province. The movie has universal appeal and has the right mix of humor, entertainment, emotions and action sequences with clean narration by Director Harald Zwart. Sure to be a blockbuster. Music is another high for "Titanic" music director James Horner.

June 6, 2010

"Rajneeti" Movie Review

"Rajneeti" is barely watchable with an intriguing plot of political rivalry between two families represented by lot of actors who saw better days. Before you realise that there's a lot of overdone plot, and needless deaths and over-simplified political undertones and utter lack of innovation in script and storytelling, you can find better pastime in trying to correlated all the characters in the cast with the who's who of Mahabharata. I could count nine characters. Prakash Jha delivers a below-par performance as there's nothing novel about the movie. Arjun Rampal is thoroughly convincing while Ranbir Kapoor comes up with another fine performance. Katrina Kaif  - much ado is more about her resemblance to madamji. But its not all that groundbreaking. There's neither "Neeti" nor "Rajneeti" about the movie but mindless violence at a numbingly slow pace.

"Vedam" Movie Review


"Vedam" is a rare treat by Director Krish which packages the gist of scriptures - human values that matter most amidst poverty and plenty through five characters who see life through five different perspectives. But all the five characters played by Nagayya (Textile weaver), Anushka (prostitute), Manoj (Rockband guitarist), Manoj Bajpai (Muslim who thinks he is treated like a terrorist) and Allu Arjun (Cable Raju who lives in slum but lives it up by lying about his lifestyle for a good cause - wooing his rich girl friend). All characterisations are done with lot of conviction and care and though the movie is lacking in entertainment, it is hard-hitting and touches your soul at times with humanity in each frame, without dialogues that sound didactic. Within 150 minutes, Krish makes his points succinctly well with enough justification in story, characters and their worlds which converge in a climax which is a bit violent. Allu Arjun outshines everybody but there are some good cameos by Posani Krishna Murali and Brahmanandam which stand out. Keeravani scores a lifetime high note in this movie with rich compositions and impressive background scores. Krish presents his movie with level-wise script and that itself is a great innovation for Telugu cinema. He also does great justice as a dialogue-writer and a screenplay-writer.He has endeavoured to give a rare delicacy to Telugu audience not used to having such storylines in commercial format. Its going to be talked about for a long time.

May 20, 2010

Hitler's Private Library - the books that shaped his life by Timothy W.Ryback

I don't believe this  - but Hitler who is better known for burning people and books - was actually devouring one volume per night - and amassed a library collection of no less than 16000 volumes. And so, timothy W.Ryback for the first time, offers a systematic examination of all th books that shaped Hitler's life. The volumes in his library spring to life in this sparkling book - because of th exhaustive notes captured - those made by Hitler on the marginalia - the comments, the exclamation marks, the questions and underlinings, even the dirty thumbprints from the remains of the First World War - which are so revealing. Written with verve, the book gives us a superb view of Hitler's evolution - and unparalleled insights into his emotional and intellectual world. Must read, even if you have read Mein Kampf.

May 16, 2010

"Andari Bandhuvaya" Movie Review



As summer demand for movie content shoots up - "Andari Bandhuvaya" releases this week. Its one of the lighter movies but not enough to rock the Box Office. Its a half-hearted attempt on Altruism, starring Sarvanand and Padmapriya. The movie lacks intensity and impact and drags despite some good comedy. Padmapriya looks gorgeous and might sparkle if shaped up. Music by Anup Rubens is outstanding in this movie of good samaritan cliches. Sarvanand is turning into the new Raja style actor with offbeat themes and maverick story lines. But the movie is not upto the mark of Chandra Siddhartha and has some lewd jokes. Nevertheless, its passable if you are tired of  IPL, 20-20 and violence-laden movies.

"Rama Rama Krishna Krishna" Movie Review


Ram, who thinks, he is a sporty version of Pavan Kalyan for the 2000's generation disappoints in this flick of mindless violence, routine fare and disappointing story with throwbacks to retrograde plots. Frankly, it is adding to the list of flops that Dil Raju is accumulating in the last few years, after the blockbuster "Bommarillu" faded from memory. Nothing redeems the movie, and the less said the better.

"Badmash Company" Movie Review



To say Shahid Kapoor is the next big thing is not unreal if you watch "Badmash & Co." Yash Raj Films finally allows a director P Shetty to pursue script with conviction  - financial chicanery, family values and friendship with a rags-to-riches redux allows many variations and range of emotions to portray for Shahid aided by glamour from Anushka Sharma. Locations enhance the story rather than distract and absence of violence make it breezy and largely cheerful fare. Movie is just a bit long because there's no twist in the tail but the charm is a straight-forward screenplay that entertains.

May 1, 2010

"Simha" Movie Review

Simha could be Balakrishna's first hit in seven years and may unleash a frenzyof sorts amongst his fans. But the  plot is not new, and in sticking to the story of hero-his-heroic father (you get the idea), director Boyapati Seenu lets loose fifth-degree violence and relishes, and even justifies it - Sumos blasting mid-air, trains smashing humans, and axes dripping  in blood. No wonder Sumos are hardly seen on roads and railways cross their line but the axe-effect continues to plague Tollywood. Thats because fans don't insist on heads (of such heroes) to roll. Celebrate, if you are a Balayya fan. Otherwise, you haven't lost anything, if you decide to skip it. But Balakrishna emotes well especially the Senior's role and he has a mouthful of dialogues which is music to fans'  ears . Nayanatara, Sneha and Namitha  add glamour and oomph.

April 30, 2010

"Prasthaanam" Movie Review


Prasthaanam starring Sarvanand, Saikumar and Sandeep is impressive political drama by director Deva (Vennela ifame) and takes lot of potshots at contemporary political happenings through the intrigues within one political family. It is well shot and carries your interest largely with some wonderful satire in the first half courtesy Jayaprakash Reddy and Jeeva. But the ending is predictable and violence stark and dark. Censor cuts mar forty per cent of dialogues yet enough punches are pulled off. If Star Power was higher, the movie would have sizzled at the BO. Yet, newcomer Sandeep and Saikumar  and Sarvanand perform with aplomb and ease. Music by Mahesh Shankar is loud and its a pity one of the only melody songs is edited out to make the movie more serious in the second half.

April 27, 2010

"Darling" - Movie Review



Summer's big hero release  Darling starring Prabhas scores pretty high in entertainment quotient. Finally, Prabhas gets the much-needed facelift in dances, stunts, drama, romance and comedy  and the long-awaited hit after Chatrapathi. The movie rehashes some of the old story sequences of director Karunakiran's flagship comedy and romance scenes and even takes liberties with the audience's intelligences by bunking down some of the sequences as though they never happened. But the presentation is good and makes audience feel at home in comedy and romance. Songs, stunts and comedian Srinivas Reddy hit a new high- all three, sorry to mix them up in one sweep - do their bit in enhancinng the creative value of the film and make it worth watching. Kajol is cute while Prabhas takes the lap of honor in the film for his efforts - this will go down as his finest output in recent years.

April 15, 2010

Varudu verdict


Its difficult to pick a bone with the first half of  "Varudu" after I watched it after a busy season of marriages. This being the season of marriages - Varudu  - shines bright in the first half. There's impeccable  settings, a demure heroine, some heart-tugging dialogues and some extra-ordinary recount of the typical Telugu marriage. This  makes the movie mesmerisingly good till interval - then all hell breaks lose with the entry of Aryan - the villain. And the movie loses plot with weak characterisation, unconvincing villainy encouraged by impotent police and implausible subvention of the system by the villainy. Its here that Gunasekhar  - who does a fair effort in comeback  - goofs up. The villain part - the Ravana in the Ramayana piece of the movie - is overdone with unwarranted intensity and implausible sadism and cruelty. But for this which rankles the whole of second half, Varudu manages to strike a chord with everybody who believes in both arranged marrriages or love marriages. Allu Arjun tries hard but can't stand the onslaught of the intense-looking villain - Aryan - who charged a crore for the film. Two songs by Mani Sharma get you paisa vasool.

April 1, 2010

Missing something?

Heard that "Varudu" movie is not that great - has been made into a remix of Ramayana and Okkadu. Looks like Gunasekhar has not done much homework behind going into one set-wonders for each of his movies - the care he takes to make one grand opulent setting the centrestage and backdrop of his movies is not there in other aspects of film-making. This one may have been made for appeasing Allu Arjun.

March 25, 2010

Movie drought ends today



Finally, "Marocharitra" releases today ending the drought of big banner movies for the summer after the intermediate exams ended recently. Would be watching shortly to update on the review...And then over to "Varudu"! Talking about "Varudu", the audio has few great numbers but generally retains a repetitive tonality of Mani Sharma's earlier output.  "Aidu Rojula Pelli" may become popular but looks dangerously close to that School prayer song composed by AR Rehman in "Merupu Kalalu".  But Mani's music grows on you after the movie's release.

March 21, 2010

Book review: “Don’t sprint the Marathon” by V Raghunathan




This is one breeze of a book – in just under 170 pages, V Raghunathan, author of Games Indian Play has written a timely book for everybody wagging about reforming Indian Educational System. This one is a delightful read which exhorts parents to let children be childlike, creative, spontaneous and happily wanton in their pursuit of things in the years of growing up because V Raghunathan says life is not a sprint, a hundred meters race but a marathon with lots of ups and downs, curves and alleys and zig-zagging turns which require stamina, patience, hardwork, understanding  and passion rather than short-termism, strength, roteful understanding, and exam-oriented competitiveness. He says children must be allowed to discover themselves  and be intrinsically curious, follow their passions and follow their mojo  - this alone makes them grow up as adults with dynamism, interesting personality and sure-fire accomplishments. Parenting geared toward sprint coaching will be dangerous and short-term because in the long-run, life is a great leveller. In driving home these points, he underlines many inter-related concepts which beautifully summarise the wisdom of approaching life like a marathon indeed instead of  as a sprint. He draws many examples to illustrate how late-starters and not-so-lucky nor prodigious nor even smart alecks have made it big in the world of business, or any other field of endeavor. Examples include N R Narayana Murthy, Dr K Anji Reddy,  G M Rao, Ila Bhatt, Ashwini Nachappa and others. What I like about the book is that enormous lifetime wisdom of the author has been capsuled in concise chapters, each well-illustrated and leading to the next chapter with a thought-provoking missive. The language is also amply elegant while accessible to anybody with a 2000 word vocabulary, probably less.

The book should be compulsory reading for all educators, parents and pupils and seriously anyone who thinks that the passport to sprinting ahead is to  grab admissions into the best school, college or job as starters. In reading the book, the style of the author works to your advantage; its interesting, anecdotal and not really didactic, but  drawing plenty from personal experience and knowledge. Having read the author’s previous books and also well acquainted with his own career – which has many interesting twists  - Graduate at 17, Professor at IIM-A,  Multiple stints in corporate world in  Asset Management, Banking, and now  with GMR, besides hectic lecturing, authorship, Masterly Writer on Financial Literacy, and one of the country’s biggest collector of locks, I can safely say Raghu is well qualified to talk about Outliers who make it in life never mind, lack of pedigree, initial push, luck or precocious academic dazzle. I have  met him a couple of times in the last two decades, every time, I crossed his path, he went in a different direction creating a blaze, whether it is in First India Mutual Fund, ING Bank, IIM-A or CSR.  In this smashing book which will  not leave you untouched or uninspired, Raghu has delivered greatest value  - if only that can be perceived by today’s generation and all those who believe in life after a rat-race.  Read and Get Inspired! 
For more about Raghu, visit : www.vraghunathan.com

March 14, 2010

Why do they increase the costs of Film?


A bird tells me that the collections of Leader have dwindled after the release of  Yeh Maaya Chesaave. And producers are worried about the chances of recovery of more than Rs.18 crores gone in the film. One basic thumb rule that smart investors in films make is:  What's the ratio of film exposed (negative)  to the final reel output? It should be 1: 6 and exceptionally, 1:4.  Sekhar has made Leader  using 450,000 feet of negatives which means it has costed about Rs.1.125 crores for the film print itself. That's a humungous waste and probably exceeds all the unfinished output of Sekhar's previous and future films. When such a high fixed cost is incurred (film negative is paid for upfront), it badly affects the economics of the film for the producer. A frugal and well-planned director doesn't consume more than 1/4th of the film output by way of negatives. This is becoming the bane of modern film-makers and a nightmare for film producers. Bapu's Sundarakanda used up 87000 feet, Vara Mullapudi shot Vishaka Express with 67000 feet, and Krishna Vamsee used up more than a lakh feet just to give an idea of what some of the sensible directors do. This cost is virtually irrecoverable for AVM. We'll look at more such dynamics of film-making in days to come... 

March 13, 2010

Businessworld's The Marketing Whitebook 2010-2011



This is a book you can't finish, like a dictionary, but need it at arm's length if you are in the business of getting a portion of somebody's wallet share. The Marketing Whitebook 2010-2011 from the Businessworld magazine is here, anchored by some insightful essays by leading lights on de-mystifying the macrocosm called India in all its segments, layers and spending patterns. The only disappointment for me has been the thinning of section on Banking & Financial Services including Mutual Funds which is usually quite detailed. This time, the recession seems to have made the publishers pull the section out. Insurance, that darling of commissions industry, is there tucked away safely.

March 10, 2010

IPL Vs. Films in Tollywood


If you can't beat' em, join them! An old adage seems to drive a change that seemed impossible before - multiplexes screening ultra-limited-overs cricket. But for Varudu and a few other non-descript movies, Tollywood is bracing for an over-crowded summer while leaving the next few weeks over for IPL - 3 cricket. This means more trouble for Tollywood movies which are reeling under hopeless losses despite heightened creativity. Last year, out of 121 or so movies made, less than a dozen are acclaimed hits. The entire film industry seems to grope around at crawling pace - no multi-starrers, herd-like mentality in coming up with themes (One Ready movie will lead to ten Namo Venkatesa's), burgeoning budgets, astronomical film footage exposed before screening, inability to diversify and build studio films (like Navatha Arts, Bhargav Art productions, Vijaya Productions), and whimsical heroes (Mahesh Babu), heroines (Charmi?) and comedians who quote a third of the movie's budgets besides general all-round apathy for small film producers. Tollywood is at an inflection point (which we will discuss later) and the IPL season is just an excuse for Tollywood to mull over where its going.

March 7, 2010

Finally, an E-Book Reader which works in India


I am not a big fan of Kindle or E-Books for reasons we'll know later, but over the last three days, I am smitten by this reading device called "Pi"  - India's first reading device with a battery life of 30 hours, which can download over a lakh books in pdf format. Ordered for just Rs.10,000, Pi is light and eminently readable, with USB port for importing files with even .jpeg, .doc, .txt extension as well as mp3 files (with earphones). As I begun downloading files and started my first E-Book experience, my Geek brother promptly pinpointed the gaps in Pi which a technologically-challenged person like me couldn't notice - no back-light, night-light, only B & W colors, were some of the drawbacks. But for now, this is just fine - the memory card also has 1 GB+ capacity. So, now I am one of the few (or am I the first) Hyderabadis to have an E-Book Reader. More later as I explore further...Right now, its E-books and in a few hours whether Oscars night belongs to Avatar movie or not.

March 5, 2010

Who are the 3 Idiots? Not Chetan Bhagat!


After the infamous run-in with the producers of the movie 3 Idiots, many would have written off Chetan Bhagat - the writer of the story that inspired the movie ("Five Point Someone")... Not only is Chetan Bhagat bracing himself for the next novel after "The 2 States of My Marriage" but he is laughing all the way to the bank. Sources from his publishers tell that after the successful release of 3 Idiots, Chetan Bhagat's books are in terrific demand, more than they can cope with. Already, he is the undisputed paperback king of India, but after this movie's release, even in Hyderabad, there's demand for 22000 copies  of Five Point Someone against 5000 copies available in various bookshops. The shortfall continues across pan-India. Whatever happened to the short-selling    by the author, Chetan (www.chetanbhagat.com) also made  neat capital out of the movie.  

March 4, 2010

"50 Economics Ideas you really need to know" by Edmund Conway


Economics has of late become a popular topic for discussion, thanks to a series of apocalyptic crashes and news flows dominating our daily lives from crude oil to subsidies to budget, TARP, warts and all.In this book, m       Edmund Conway, economics editor of the Daily Telegraph, introduces and explains the central concepts of economics in a series of 50 accessible and engaging essays. The essays range from discussion on theories such as Adam Smith's "invisible hand" and the law of supply and demand, linkages between wealth and happiness and the shape of current thinking on economics. It takes some interesting topics and gives a crystalline glimpse on topics that influence every aspect of our lives from buying a house to what you ate for breakfast this morning - Which country will be the world's leading economy in 10 years' time? What exactly is a credit crunch? Irrespective of what you do for a living, this is one book that's sure to come handy when you are set among people conversing on the land prices, international airports, entertainment economy, or why subsidies won't go away.

March 3, 2010

Paid Reviews?

There's lot of buzz in some websites and blogs that Tollywood producers pay cash to websites for giving favorable reviews in order to promote their films. A three-star or a four-star rating will make a world of difference - this is similar to the stock market operations. In stock market, operators identify some stocks with potential which can be buzzed up to new highs, later on cashing on the higher price levels to start offloading the stakes to realise huge profits. This is fine as long as the fundamentals support stock prices, or else, all hell breaks loose. Ditto, for movies which buzz. If there's no content, no movie can outrun the buzz. A four-star rating on a popular website can sustain only if the movie has some stuff and content. Its a close call for a blogger or a web journalist or a reviewer to choose between instant riches vs. credible success. Sooner or later, you will be found out -whichever way you are leaning towards or against.

March 2, 2010

Good website for Bollywood? What about Tollywood?

Is there a website you can zero in on all the block-busters right from Sholay to Maine Pyar Kiya, from Ghajini to Guide, from 3 Idiots to DDLJ? Go to http://www.boxofficeindia.com/ for a low-down on all block-busters. They may not be inflation-adjusted, but they give a way out of the maze of figures thrown in by media reports - whether MNIK (My Name is Khan) is Rs.150 crs. or 64 crs. Its a good site to compare apples vs. oranges and oranges vs. mangoes. But dismally, there's no credible website which tracks down the prolific Tollywood and its numerous releases - speculation and hearsay dominate Tollywood more than reality check. Its grown appreciably in the last many years but now comes an inflection point for more transparency so that we grow bigger and brighter. Any suggestions? One guy who I admire is Allu Sirish (brother of Allu Arjun). His take on Tollywood is different and enjoins the important thread between creativity and commercial viability. Check his views at : http://www.allusirish.in/

March 1, 2010

"Discover the Diamond in You" by Arindam Chaudhuri


Arindam Chaudhuri, one of those shameless self-promoters who forays into everything from politicking to Bollywood to B-School management apart from writing Alternative Budgets and Full Page Advertorials in all ABC certified newspapers (Who's financing them? Who's Reading them?), is out with a new book - Discover the Diamond in You (A pot-pourri of success literature in rapid text).But due to paucity of time, he says he composes the whole book on SMS.(We can make out). So, it reads very short and tweet-like and should be done away with in less than an hour, including Introduction by mind-alike Shah Rukh Khan. If you have never been exposed to any self-help book, and if your vocabulary is below 350 words, this book will suffice, I mean, do. Read it, if you, like me, are getting a foot pedicure and a shampooing of the hair simultaneously, and have some time to kill.

Watching a Movie in Multiplex vs. Air-Cooled Theatre

I watched a movie in Sandhya 70mm (RTC X'Roads) after many years, on first day first show for "Ye Maaya Chesaave". Couldn't relish it more. The shrieks, the whistles, the flowers, the paper tributes, and the shouts of joy and ecstasy to see different characters and the hero and the heroine make their appearance on the screen, and the response to stunts - that atmosphere is not there in multiplex screens - where everybody including me is afraid to even cough or sneeze. Form is good in multiplex screens, but the soul of cinema-watching still lies with the regular theatres. Can we have the best of both worlds? Happens rarely when multiplex audience gets bolder - afterall, you are not watching in your private theatre, and the audience are not robots.

February 27, 2010

"Ye Maya Chesave" Telugu Movie Review


It takes two to tango. Nag Chaitanya has a slick winner in "Ye Maaya Chesave" ("Vinaithaandi Varuvaaya" in Tamil starring Trisha and Simbhu) - his second movie, directed by Gautham Vasudev Menon, with lot of awe and skill. If the essence of a love story is conversations, Gautham navigates the portrayal of a relationship beautifully, showing all the moments that make it, break it, and restore. It shows why some make it and many don't with lots of evocativeness, passion, sensitivity and honesty. Refreshingly, A R Rehman's music (replacing Harris Jayaraj in a coup) feels at-home, competitive and enriching. You remember the output of his early years in this movie. Nag Chaitanya and newcomer Samantha excel in their roles. Sporting to see Mahesh Babu's sister Manjula produce a different film for Nagarjuna's son. Cinematography is another major asset. There are more pleasant surprises in the movie.

February 26, 2010

Book Review: Tales From the Bench and the Bar by Vicaji J.Taraporevala



There are over 47,000 pending cases in Supreme Court, over 3.7 million in High Court and around 26.3 million in subordinate judiciary. Amidst all this insurmountable volume of work, black dress, uniform, countless PILs (Public Interest Litigation)  being filed every day, and cases for bringing lawyers' assets to book under Right To Information Act, one wonders whether a lawyer's life is all about serious stuff! Not so, according to the book - Tales from the Bench and the Bar by Vicaji J Taraporevala. Its a delightful insider's account of life on the Bench and the Bar giving some refreshingly light moments that liven up the often stern and forbidding proceedings in our courts. The author himself is a senior advocate in the Bombay High Court and has been practising for sixty two years. He gives some glimpses of sharp wit and humor, of legendary lawyers like Nani Palkhivala, Sir Pherozeshah Mehta, M R Jayakar. The book is a good read and I have been distributing to a few lawyer friends and wannabe lawyers since.

Here's a sample: "A member of the Bar carrying a number of law books was greeted in court by his client with the words. "I thought you lawyers knew all the law." "Yes, we do", said the lawyer. After a pause, he continued: "Oh, these books  - they are for the judges."

February 25, 2010

"Maro Charithra" Audio Review


Mickey J Mayer has scored some refreshing music than the usual 8 1/2 beat songs he did for movies like Leader, Kotha Bangaru Lokam etc. A product of Trinity College, London - Mickey J Mayer can turn out to be Tollywood's AR Rehman if someone can help him with variations possible in percussions and re-arrangement. Mickey has definite strengths in melody-making and orchestration. This movie has one or two outstanding numbers which are, boldly, not re-mixed numbers of the old Marocharitra - that legendary K Balachander movie which has haunting melodies of M.S.Vishwanathan - the Guru of Maestro Ilaya Raja. Malay Palay Magadivo  and Yeh Theega Puvvulo may not be as good as Originals but they cast their charms on your senses, lingering on.

February 24, 2010

And now, In-Train magazine!


In-house magazines and In-flight magazines, we heard. But In-train magazines? Sounds new and exciting, right? A Hyderabad-based company - Intellium Media Consultants Pvt.Ltd has started India's first In-train magazine for the South Central Railways, released on 11th December, 2009. The magazine called  "Shades of Life" seems a promising new magazine, distribted freely to passengers (not for carrying) in AC Coaches of trains criss-crossing the South Central Railways. Considering that the SCR ferries over 20 lakh passengers every month, its a monster of a market too big to ignore for any publisher. The magazine is slick, finely produced with elegant editorial content and glossy pics with 200 gsm variety. Looks like Railways and Reading are finally going together decades after writers like Ruskin Bond, Winston Churchill, Jim Corbett, Khushwanth Singh enjoyed the experience of reading in the Great Indian Railways. Next time, you are in AC Coach, don't forget to ask your copy of "Shades of Life" and do drop in to give your feedback. I hope this gets bigger and better across Pan-India Railway network in due course.

February 23, 2010

Excellent Photography by Scott Stulberg



Check this website for some stunning visuals which blend traditional and digital photography. Scott Stulberg, googling further reveals, is a teacher and a professional in photography and is one of the most-revered photographers on the planet. He seems to make the most unobstrusive settings come alive. Photography, like social networking, is increasingly embracing technology - and Scott seems set to ride the cutting edge for many years. Savor his samples in: http://www.asa100.com/ and read about his art and workmanship in:  http://jrphoto.wordpress.com/spotlight-interview-photographer-teacher-scott-stulberg/

"Bindaas" movie review



"Bindaas" movie starring Manchu Manoj Kumar is a contrived attempt to rehash all the comedy fares which have hit the screens in the last two years - from "Dhee" to "Ready". The movie tries to concoct comedy at every turn of 24-frames and almost succeeds but the audience is tired of such upbeat nonsense. Comedy bores, if overdone. Watchable if you have bindaas time!

February 22, 2010

"Leader" Movie Review


"Leader"  - Sekhar Kammula's attempt to show leader distinguished from politicians is mostly unconvincing and lacklustre due to limitations self-imposed - his style of sober story-telling, no emotions or cinematization (except unnecessarily so towards end) and little entertainment. By attempting to address cleansing the political through dubious means and equating every politician as a crook except the hero, Sekhar has missed many points - his world only seems black or white, not grey. One expected more homework and attention to detail. The movie's highstand moments come in just two or three scenes but thats not enough to be the ideal launch for Rana Daggubati - he looks impressive, though.

February 17, 2010

What the Dog Saw and Other Adventures by Malcolm Gladwell



Malcolm Gladwell - an iconic writer on the hidden extraordinary in the ordinary things - weaving patterns with or without empirical evidence. After The Tipping Point, Blink and Outliers, comes an eclectical collection of his favorite pieces from his favorite magazine The New Yorker   - written from his days as a Staff Writer since 1996. The book is a delicious read for Gladwell fans - and covers conceptually blockbuster ideas for his next book - the reason some choke and others panic, the reason why there are many kinds of mustard but only one kind of ketchup, the hazards of statistical predictions, the trouble with personality tests and intelligence tests, the history of the world through the evolution of hair dyes...the list is indefatigably long and multi-faceted as Malcom Gladwell is truly. There's a piece about late bloomers where he says that Genius, contrary to popular opinion, has nothing to do with precocity; infact the best writers, painters and directors made it big in the late fifties and sixties. For fans of Gladwell, this is not just a curious case of what Gladwell thinks is - its the curious case of dramatic patterns in everyday life.

February 13, 2010

"My Name is Khan" movie (Hindi)


"My Name is Khan" after all the controversies is surprisingly good film - with powered performances by Shahrukh Khan and Kajol. Karan Johar scores new high with a better story and crisp screenplay (Syed Field helped?). Its just a bit longer with low mass appeal. The movie may resonate more than recent movies on 9/11. Good music apart, you get to see San Francisco closer in multiplex. And its a movie which may bond with American audiences than here.

February 5, 2010

"Striker" Movie Review (Hindi)



"Striker" starring Sidharth is explosive depiction of true life story of a carroms player with all the "slumdog millionaire" twists. Director Chandan Arora makes up for lack of entertainment with mind-blowing story-telling and above-par performances from all. If an outdoor game like carroms can be drop-dead gripping and intense, story-tellers need not look westward or wayward. Music is another first - six composers and one BGM composer fire all cylinders.

February 2, 2010

"Maya Bazar" - Ever "Green" No longer Black & White!



"Maya Bazar" (is Tollywood's "Sholay" and greatest blockbuster) in cinemascope and color is an entrancing restoration done with lots of diligence and panache - the effort is audio-visually enhancing and mesmerising. Considering the number of Telugus and non-Telugus who will populate theatres to see it atleast once, this is a jackpot from a classic whose text and subtext, plots and sub-plots continue to haunt movie-goers and inspire generations of movie-makers. Watch with all.

January 29, 2010

J D Salinger - A Writer's Writer who remained reclusive till the end





I am a kind of paranoiac in reverse. I suspect people of plotting to make me happy.

J. D. Salinger

It's really too bad a lot of crumby stuff is a lot of fun sometimes.


J. D. Salinger
Catcher In the Rye

If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth.

J. D. SalingerThe Catcher in the Rye, opening line

The world's Writing Tribe has lost one of the original masters of story-telling who wrote not for money or power but pure writing. But for "The Catcher in the Rye", "Nine Stories", "Franny and Zooey", "Raise high the Roof Beam", "Carpenters", "Seymour: An Introduction",  a dozen or more stories published in New Yorker, Saliner remained a legendary recluse and raised the game of solitude to epic proportions with speculations rife that he has atleast fifteen unpublished books in his safe. His wish was that all these manuscripts were to be opened after his death and published unedited. Surely, Salinger will rake it in for the American Publishers and Hollywood movie-makers  - Saliner's language had it all - grace, turn of phrase, wit and wisdom, cleverness and majesty. His story may provide the world of book-lovers  and writers - the truth behind what made Salinger a Catcher in the Rye!. R.I.P JD Salinger. Let the words make it in print.

January 27, 2010

"It's Not How Good You Are, It's How Good You Want to Be" by Paul Arden



I always liked both the covers and the layout of any book published by Phaidon. They invest well on the aesthetics of a book - binding that survives for decades, pages thick like timber (literally!), and an almost magical combination of picture-to-prose ratio. This one is a very portable, eminently speed-readable book designed for good advertising professionals and anyone with an eye for creative excellence. Paul Arden scores on every page with visually-enriched insights and punchlines that befit a Saatchi & Saatchi background. Waiting for my turn to see a Dentist, I could finish it in less than thirty seven minutes. A near miracle - these days  - as suddenly the books are getting longer and movies are getting shorter! More next time...Waiting for a movie after the Pongal over-feast.

January 21, 2010

A Taste of Life - The Last Days of UG Krishnamurti by Mahesh Bhatt



Mahesh Bhatt's latest book gives vignettes of the thicker-than-blood relationship he has had with one of the world's less known Anti-Gurus - Late UG Krishnamurti (a Telugu)who led a life of anonymity, self-flagellation and was a reveller of blasphemies. Mahesh takes us through the last few months of a life led in reclusivity, gay abandon, no-no to all medical help to heal the body, yet principled iconoclasm which has its own charm. ("Your natural state has no relationship whatsoever with the religious states of bliss, beautitude and ecstasy. They lie within the field of experience."). Mahesh, I thought is a gifted writer more than a spirited film-maker, more sensitive and evocative in his writings than his movies which have trappings of a past saddled with negativity, guilt and failure. Where the book disappoints is the teasers it gives in letting us into UG's world - More Questions than Answers remain after reading the book? Why did UG shun the world? Where did he get so much funding? Who funded his non-career "career"? Why couldn't he jell with Jiddu Krishnamurthi who professes similar arguments with more fluency? Where is UG's family now? It seems as if Mahesh wants to make a career out of the questions galore on UG's estate, his legacy, and his invectives and idiosyncracies in more books.

January 16, 2010

The Double Life of Ramalinga Raju



"The Double Life of Ramalinga Raju" by Kingshuk Nag is a fine read which captures in pulsating prose the nonchalance with which Satyam's Ramalinga Raju built his empire only, how the cookie crumbled, and how Hyderabad witnessed realty boom (which must be attributed partially to Raju's lust for land - 9000 acres). The story-telling is vivid and racy with lessons galore for promoters, entrepreneurs, investors, advisors and wealth-conservers.
28.11.2009

"Jailor" (Telugu/Tamil) Movie Review: Electrifying!

        "Jailer" is an electrifying entertainer in commercial format by Nelson who always builds a complex web of crime and police...